Commentaries for American Art. Disabilities and American Art Histories

Mar 14, 2025

Commentaries for American Art

Disabilities and American Art Histories

American Art, the peer-reviewed journal co-published by the Smithsonian American Art Museum and the University of Chicago Press, seeks to publish papers that explore the intersections of disability studies and the histories of American art, architecture, and design. What perspectives, insights, and forms of redress does disability studies bring to American art history? Where does disability surface in American art and visual culture, and where do absences persist? How has art enacted ableism, spurred practices that challenge and move beyond exclusion and oppression, or combined divergent tendencies in complicated and generative ways? What are the responsibilities of art historians to advance disability justice in their scholarship, teaching, and museum practice?

How do the histories of American art change when new ways of making or experiencing art are included?

We invite essays that center disability in American art history in compelling and innovative ways. We encourage authors to foreground critical disability studies methodologies and conceptualize disability broadly, recognizing that the meanings and terminologies of disability can vary across disciplines, experiences, identities, and histories. We welcome essays about how disability has been represented, conceptualized, and constructed via visual and material practices; how individual artists as well as communities, including those that reject the identity of disability, have defined themselves alongside and beyond changing understandings of abled-ness. We encourage authors to approach disability intersectionally and to center the histories of understudied peoples. We also invite reflection on how the discipline of American art and practices of extractive looking have perpetuated ableism.

Collectively these commentaries aim to reveal the centrality of disability and disability studies to our understanding of American art history, considering how such approaches can advance multiple fields and contribute to anti-ableist future practices.

Type: Journal

Submission guidelines: American Art invites article submissions from scholars at all career stages and regardless of institutional affiliation. The journal will consider feature articles up to 14,000 words, as well as proposals for multi-author short-format essays. For accepted submissions, the journal provides full-color for all images and a sliding-scale payment to cover image costs.

Submissions to American Art must be wholly original-neither under publication consideration elsewhere nor previously published in part or in whole, whether in print or online. Additionally, the submission must not be an expansion or abbreviation of other published works that approach the topic from the same point of view.

Prospective authors may email the executive editor, Robin Veder, for pre-submission consultations. Listen to Robin Veder and freelance editor Cara Jordan discussing the Toward Equity in Publishing program and other advice on preparing scholarship for publication in the latest CAA Conversations podcast.

If you would like to take advantage of a new program offering editorial support and training in all aspects of preparing and revising a manuscript, please read more from the Smithsonian American Art Museum’s website. 

Feature Articles:

The standard length for feature articles is 9,000-14,000 words including endnotes, with 15 to 20 images. Shorter manuscripts may be considered, following consultation with the editor. Authors may be asked to increase or decrease word count and visual illustrations, depending on the peer-reviewers’ and the editor’s assessments of the manuscript.

Submissions to American Art will be screened by the executive editor in consultation with the journal’s editorial board and, if of initial interest, sent out for double-anonymized peer-review. Manuscripts with interdisciplinary and cross-field material may be evaluated by scholars in those areas in addition to those specializing in art history.

Evaluation criteria include:

  • relevance to the journal’s mission, scope, and readership
  • originality and forcefulness of the argument
  • significance in relationship to existing scholarship
  • effective use of visual and textual primary sources
  • logical organization
  • clear and concise writing
  • validity of interdisciplinary and cross-field claims

Short Formats

The journal regularly includes “Commentaries,” which are a group of short essays on a single theme. Contributors are encouraged to frame Commentaries as state-of-the-field interventions, demonstrations of methodological approaches, or debates on theoretical positions.

In the  “Perspectives” format, two or more scholars present short and inventively complementary or divergent readings of the same object.

Short-format essays typically run 1,500-3,000 words including endnotes, with 1–5 images each.

To propose a multi-author short-format contribution, submit a 250-word abstract of the proposed theme with the organizer’s CV. A list of possible participants and topics is encouraged; abstracts for each paper are preferred. If full papers are already available, the organizer may submit all manuscripts and abstracts in a single packet.

After editorial review, the full package of manuscripts, abstracts, and images will be sent out for external peer-review; or, in consultation with the organizer/guest editor, the journal will commission the essays.

Images

As noted above, American Art will pay the author an amount to cover, or at least offset, fees associated with image rights and reproductions. The payment is on a sliding scale; accordingly, the payment is determined by the article’s requirements and the journal’s budget.

If the manuscript is accepted, the author will be responsible for acquiring publication-quality images for the article and all copyright permissions for reproduction.

Submission Checklist

Cover letter with author’s name, email address, telephone number, and mailing address.

Abstract of 250 words that succinctly states the thesis, principal findings, and original contribution. Submit as Microsoft Word document, double-spaced, Times New Roman, 12-point font.

Manuscript with text and endnotes prepared according to the Chicago Manual of Style, 17th Edition. Submit as Microsoft Word document, double-spaced, Times New Roman, 12-point font.

Suggested illustrations with reference numbers and full captions, including repository. Submit all images in one PDF document.

To facilitate double-anonymized peer-review, delete all information that could reveal the author’s identity, including indications in the endnotes and acknowledgments.

Submit all materials by email to Am****************@si.edu.

Authors will receive a confirmation notice upon receipt of the submission packet.

Submission deadline: April 1st, 2025

Institution: Smithsonian American Art Museum and the University of Chicago Press

Link: for more information about the CFPs, click here